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The Sounds of Home Dataset

Dataset Description

This dataset includes 1,344 one-hour audio recordings from the homes of 8 participants in Belgium, captured during 2023. Each home was equipped with two AudioMoth devices, installed in the Living Room and Kitchen, recording simultaneously. The dataset is organized into 14 folders, each set of two folders representing audio recordings from the same house. The recordings document daily soundscapes and activities of living environments, offering a valuable resource for sound event detection research. For further details on the project's background, please visit our project page.

Aspect Details
Recording DeviceAudioMoth with IPX7 Waterproof Case
Number of Samples1344 audio files
Length of Each File3595 seconds (approximately 1 hour)
Number of Homes7
Recording Duration7 days per home
Recording WindowTypically 8:00 AM to 9:00 PM
Housing TypesDetached, semi-detached, mixed-use housing, high-rise flats
Location TypesRural and suburban areas
Aspect Details
GeographyBelgium (around Geel/Turnhout)
Demographics8 participants, all aged 55-80 years
Rooms RecordedPrimarily living rooms and kitchens
Floor TypesVaried: wood, linoleum, concrete
Wall TypesVaried: concrete, painted
Home Features DiversityLarge windows, soft furnishings, open plan designs, pets (dog and cat in one home), robot vacuum cleaner (in one home)
Special NotesTwo participants lived together in one house; Some homes had combined kitchen and living areas; Various noise issues noted (e.g., ventilation, ground-borne vibration)

Recording Information

The following tables provide detailed information about the recorders installed in the kitchen and living areas, as well as their recording times.

Kitchen Recorders

Recorder ID Recording Times
Recorder 0207:00, 08:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 0406:30, 07:30, 08:30, 09:30, 10:30, 11:30, 12:30, 13:30, 14:30, 15:30, 16:30, 17:30, 18:30
Recorder 0507:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 0707:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 1007:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 1107:00, 08:00, 09:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00, 23:00
Recorder 1307:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00

Living Room Recorders

Recorder ID Recording Times
Recorder 0107:00, 08:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 0306:30, 07:30, 08:30, 09:30, 10:30, 11:30, 12:30, 13:30, 14:30, 15:30, 16:30, 17:30, 18:30
Recorder 0607:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 0807:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 0907:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00
Recorder 1207:00, 08:00, 09:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00, 23:00
Recorder 1407:00, 08:00, 09:00, 10:00, 11:00, 12:00, 13:00, 14:00, 15:00, 16:00, 17:00, 18:00, 19:00, 20:00, 21:00, 22:00

Citation

If you use this dataset, please consider citing us:

Link to Arxiv Publication
@article{bibbo2024sounds,
  title={The Sounds of Home: A Speech-Removed Residential Audio Dataset for Sound Event Detection},
  author={Bibbó, G. and Deacon, T. and Singh, A. and Plumbley, M. D.},
  journal={CHiME 2024 workshop, Kos Island, Greece},
  year={2024}
}
            

Download

The complete dataset is downloadable from the CVSSP server:

For segmented downloads, the dataset is also available in four parts on Zenodo:

Collaboration Institutions

University of Surrey and Licalab are the primary institutions involved in this project. Below are their logos:

Funding and Acknowledgments

This project has been supported by the Engineering and Physical Sciences Research Council (EPSRC) under the grant EP/T019751/1 "AI for Sound (AI4S)" and by the VITALISE Transnational Access programme.